Sud‘…But it is not the simple, solitary painting of naturalist imprint, but the massive version of reproducing nature which in the 19th century has supplied examples of great prestige such as Carrà, Ciardi, Rosai, and others. Varini followed those examples while looking with nervous but still well studied strokes, with simple, light, and suffered signs to places and areas close to him, beloved topics that memory has solicited him to represent.’
Carlo Franza